College of Lay Analysis is dedicated to both the establishment of a working tool for analysts (and non-analysts) in training and return to the practice and questions arising from this practice for all practitioners del'analyse, whose training is in fact never completed ...
Psychoanalysis and the Golden Dawn
After I undressed my clothes, having endorsed those of a poet: a clean shirt every day to defend why it was James Joyce James Joyce, namely the Golden Dawn.
psychoanalytic Awakening is a response to marginality, exclusion, what yad'artificiel in society, "gay science" the way of Nietzsche or Gurdjieff.
The unconscious is revealed in group discussions are not directed, by the more structured group than in the language defined by the Sartrean phrase "collective" with a connotation of ethics and usability.
From the main road that joins the center of Pessac, the third largest city in the Bordeaux suburbs, we do not suspect anything. In the 1920s, Le Corbusier would have done fifty houses, to the attention of small classes. That would be the first working and only consists of single family houses of the career of the architect.
A sign says "City Frugès-Le Corbusier". This first name evokes memories for some Bordeaux: Frugès Henry was a wealthy industrialist in the sugar sector. He loved the arts - artists working in Paris and Bordeaux in his house - but did not favor the big bourgeoisie of Bordeaux, which snubbing this progressive and did not like his concept of social economy. "For the time, make happy workers was a very subversive idea," says Carole Davenne, host of the Municipal House, Le Corbusier, the only accommodation in the city open to the public. The contractor was enthusiastic about the innovative ideas of the architect. In 1924, he offered to design a city of 150 dwellings, 70 to 100 m2 each, which he intends to sell to its workers. The houses, on two levels, are for the modern era: bathroom with shower, toilet interiors, stove, boiler supplying hot water and current for the hot air furnace, etc.. Over eighty years later, in an unvarnished, between a railroad and its bar HLM, a small wooden houses and 1970s, the emerging "modern Frugès Neighborhoods." The initial project was more ambitious, but only about fifty houses have sprung up in sweat and pain. Henry Frugès are engulfed much of his fortune. The administration made a face. Local entrepreneurs came up against new construction techniques desired by Le Corbusier (cement gun, prefabrication ...). All Bordeaux criticized this "rigolarium Frugès (...), built with pieces of sugar from the grocer." HOUSES "ZIGZAG" Two houses called "zigzag" are figureheads of this set of about 2 hectares. In their alignment, the "twins" close the composition of the islet. With each name, a different architectural style: the Skyscraper, the emblem of the neighborhood, dominates all others; the Arcade offers a covered patio overlooking the woods, sort of eye on nature. Opposite, in a corner, Vrinat, named manager of the time, is the house closest to the five points of the architecture of Le Corbusier: piles, roof terrace, open plan, free facade and long windows.
long dubbed the "Moroccan district" because of the terraces, residents have turned out - more rarely inside - to their liking, according to their means, the constraints of construction and alteration of the time. Until the early 1980s, it was closer to the slum that's trendy.
Since the site is protected, and restorations are monitored closely. The whole is a patchwork amazing. With the investment of a resident passionate Arcade is even a house listed building. Sidewalks and streetlights are original, and most walls were reunited with their original colors: sienna, light green, white, ultramarine blue, burnt umber. Over time, the city becomes more homogeneous. The spirit of Le Corbusier can run again on the roof terraces.
1. Running Out 2:51 2. Keep What You Got 3:17 3. Man On The Floor 3:28 4. Good God Have Mercy 4:09 5. Okay 2:40 6. Caruso 3:24 7. My Friend Jeff 4:03 8. If Six Was Nine 4:09 9. Guitar Cadenza 3:47 10. The Messiah Will Come Again 4:09 11. I Still Think About Ida Mae 3:44
long unknown to the general public, as a sideman Roy Buchanan made his name in the Blues circuit in the early 60's. With the experience he acquires in the studio and on stage, he then developed a game based on very personal descent of high-pitched staccato notes he carries on his Telecaster.
Soon his performance earned him among the contenders to replace Brian Jones in the Rolling Stones in 1969. Buchanan declined the offer, preferring to concentrate on a solo career. But it's a documentary called "The Best Unknown Guitarist In The World" (The best unknown guitarist the world) that allows Buchanan to emerge from anonymity and sign a contract for a major label in stride. His first album
testifies at once to his talent, even if commercial success is mixed, the critics, it is unanimous. With "A Street Called Straight" Buchanan adds a huge stone in his musical work.
From the first title Running Out of Buchanan's signature sound is noticeable. Roy made her scream like never Telecaster no other guitarist had done before him. If his previous albums gave mostly in the Heavy Blues / Blues Rock songs here are some color Soul / Funk quite confusing at first. But whether in a register calm Good God Have Mercy, or more rhythmic Keep What You Got, the shrill sound of the Telecaster Roy Buchanan easily finds its place.
But it's more than anywhere else on his guitar instrumentals that Roy took all its glory like My Friend Jeff where Buchanan returned the favor to his old lifelong friends Jeff Beck (who was dedicating the song "Cause We've Ended as Lovers "on the album Blow by Blow for Roy) by dedicating this title.
Another tribute, this time to Jimi Hendrix with the resumption of the famous Left If Six Was Nine where Buchanan instead of paying in the cartoon (as is often the case in times of Hendrix) appropriates the title literally. The instrumental Guitar Cadenza in a very hendrix allows Buchanan to present his guitar technique in a flood of sound that contrasts completely with the serenity of the following title: The Messiah Will Come Again. A title that was already on the album Roy Buchanan (1972) but takes on its full splendor thanks to a prod 'more responsive and modern.
More than a blues album or guitar, A Street Called Straight is the masterpiece of an artist original despite obvious talent recognized by his peers, still today, years after his death "The best unknown guitarist in the world."
